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https://www.nytimes.com/2025/09/01/theater/lin-manuel-miranda-biography-excerpt.html?campaign_id=9&emc=edit_nn_20250906&instance_id=162027&nl=the-morning&regi_id=122976029&segment_id=205385&user_id=b25c5730c89e0c73f75709d8f1254337

Lin-Manuel Miranda navigates criticism over 'Hamilton' and his efforts in Puerto Rico amid its 10th anniversary.

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AI Headline
How Lin-Manuel Miranda Weathered the Storm
Simplified Title
Lin-Manuel Miranda Faces Criticism Amid Hamilton's 10th Anniversary
AI Excerpt
Lin-Manuel Miranda navigates criticism over 'Hamilton' and his efforts in Puerto Rico amid its 10th anniversary.
Subject Tags
Lin-Manuel Miranda Hamilton Puerto Rico Criticism Biography Theater
Context Type
Analysis
AI Confidence Score
1.000
Context Details
{
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    "perspective": "neutral",
    "audience": "general",
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expertise Indicators
✅ Expert Quotes Confidence: 1.000
Weight: 7
Includes quotes or statements from recognized experts
Evidence: AI analysis identified 'expert_quotes' as a credibility indicator for this source. Context type: Analysis.

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Domain
nytimes.com
Site Name
The New York Times
Section
Theater
Publisher
The New York Times Company
Author
Daniel Pollack-Pelzner
Overall Status
Completed
Submitted By
Donato V. Pompo
Submission Date
September 6, 2025 at 1:47 PM
Metadata
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    "parsed_content": "Credit...Erika P. Rodriguez for The New York TimesBook ExcerptHow Lin-Manuel Miranda Weathered the StormIn this excerpt from a forthcoming biography, the playwright faces a swell of criticism over \u201cHamilton\u201d and his efforts to help his beloved Puerto Rico.Credit...Erika P. Rodriguez for The New York TimesSupported bySKIP ADVERTISEMENTListen to this article \u00b7 9:32 min Learn moreShare full articleBy Daniel Pollack-PelznerDaniel Pollack-Pelzner is a cultural historian who teaches English and theater at Portland State University.Sept. 1, 2025As \u201cHamilton\u201d celebrates 10 years on Broadway, the filmed version of the musical will be released in movie theaters nationwide and in Puerto Rico beginning Sept. 5. \u201cLin-Manuel Miranda: The Education of an Artist,\u201d a forthcoming biography by Daniel Pollack-Pelzner, tells the story of the show\u2019s creator. This excerpt from the book shows how Miranda weathered pandemic-era critiques of his revisionist take on our founding fathers after the film version was released for streaming \u2014 and how the words of advice from a high-profile mentor provided a much-needed balm.On the morning of May 12, 2020, Lin-Manuel woke up with a jolt. His wife Vanessa noticed his energy (\u201cMore than usual,\u201d she commented.) He couldn\u2019t sit still until he\u2019d tweeted the news: \u201cOur Hamilton film. THIS July 3rd. On Disney+.\u201dStuck at home during the pandemic, he felt giddy at the prospect of watching the show at the same time as his millions of Twitter followers. At 7:00 p.m. on July 3, he and Vanessa settled their kids with popcorn and Magna-Tiles in front of the TV. For the next two and a half hours, he enjoyed the thrill of seeing the musical unfold while sharing what he loved about it. Using the hashtag #Hamilfilm, he tweeted shout-outs to the cast, anecdotes about backstage shenanigans, and cute reactions from his kids. He reposted fan tweets alongside Vanessa\u2019s responses. (\u201cI always boo when Lin kisses someone else onstage,\u201d she joked.) At the end of the stream, he felt overwhelmingly gratified. \u201cThank you for tonight,\u201d he posted in a final tweet. \u201cI\u2019m so grateful you just have the whole thing now. With this extraordinary company and crew. It\u2019s yours.\u201dAdvertisementSKIP ADVERTISEMENTThe world that received \u201cHamilton\u201d in July 2020, however, was not the world that had made it the toast of the 2016 Tony Awards. The show\u2019s promise of a multiethnic America fueled by immigrant ingenuity seemed, after four years of the Trump presidency, like an Obama-era fantasy. The Black Lives Matter protests that followed the murder of George Floyd in May brought terms like systemic racism into popular usage. Amid this racial reckoning, the import of \u201cHamilton\u201d was up for debate.Image\u201cHamilton,\u201d with its promise of a multiethnic America fueled by immigrant ingenuity, was the toast of the 2016 Tony Awards.Credit...Sara Krulwich\/The New York TimesFor some commentators, the power of \u201cHamilton\u201d remained undiminished, perhaps even augmented. It wasn\u2019t \u201cjust a classic American musical,\u201d the culture critic Soraya Nadia McDonald wrote; it could \u201calso act as an antidote to white fear.\u201d Others, though, contended that the musical\u2019s inclusive casting masked the complicity of all the Founders in establishing the system of racial injustice that the Black Lives Matter movement opposed. The left-wing provocateur Ishmael Reed reposted a piece he\u2019d written when the show premiered, titled \u201cBlack Actors Dress Up Like Slave Traders \u2026 and It\u2019s Not Halloween.\u201d This time, he found a more receptive audience for his critique.\u201cAll the criticisms are valid,\u201d Lin-Manuel tweeted. He\u2019d written a third Cabinet Battle for Alexander Hamilton and Thomas Jefferson to debate the abolition of the slave trade, then cut it before the show opened; since the Founders hadn\u2019t resolved the problem, he thought the number didn\u2019t advance the story. \u201cWhy would I put it in to make the audience feel good that we\u2019ve addressed it?\u201d he asks. \u201cI\u2019d rather take the hit.\u201dHe didn\u2019t believe that the musical glorified the Founders; he\u2019d wanted to show them not as monuments, but as flawed humans. Still, for some critics, centering and humanizing the stories of Washington and Jefferson perpetuated a harmful view of American history focused on elite oppressors, even as protesters toppled monuments to slaveholders around the country.Lin-Manuel had seen the discourse around the musical shift in an altered environment before. When he took \u201cHamilton\u201d to Puerto Rico in 2019 to help the island\u2019s economy revive after Hurricane Maria, he\u2019d anticipated an emotional homecoming, a reprise of the rapturous welcome his \u201cIn the Heights\u201d received in San Juan a decade earlier.AdvertisementSKIP ADVERTISEMENTBut he found a different reception. In addition to the damage and death toll from the hurricane, Puerto Rico still suffered a colonial legacy of crippling debt, and a financial oversight board appointed by President Obama had imposed unpopular austerity measures: hundreds of school closures, along with tuition hikes and budget cuts at the University of Puerto Rico. Lin-Manuel had originally supported Obama\u2019s plan, invoking Hamilton\u2019s plea for hurricane relief as he petitioned Congress to pass a debt-restructuring bill in 2016. It had seemed to him the only way forward with a Republican Congress that wouldn\u2019t approve debt relief without an oversight board.ImageLin-Manuel Miranda in Puerto Rico, where his performances of \u201cHamilton\u201d helped raise millions for the island\u2019s hurricane relief and arts organizations. But discourse around the musical crescendoed with its streaming release.Credit...Christopher Gregory for The New York Times\u201cI was trying to do the right thing by the island,\u201d he says. \u201cObviously, I wasn\u2019t in support of the fiscal board. I couldn\u2019t imagine the closure of schools.\u201d Nevertheless, his public statement came to haunt him.In the fall of 2017, when he visited the University of Puerto Rico, and announced that he would play Hamilton in a fund-raising production at the campus theater, which \u201cHamilton\u201d was paying $1 million to restore, most of the audience cheered. But then a small group of students took the stage. \u201cLIN-MANUEL \u2014 \u00a1NUESTRAS VIDAS NO SON TU TEATRO!,\u201d their sign proclaimed. (\u201cOur Lives Are Not Your Theater!\u201d) He regretted that he\u2019d become associated with an austerity policy that he didn\u2019t support. \u201cIt feels awful to be the face of that,\u201d he says. \u201cIt wasn\u2019t something I understood well enough. I made a mistake, and it\u2019s hung around my neck forever. I hate it.\u201dHe\u2019d helped raise $43 million for hurricane relief through his father\u2019s Hispanic Federation, and all the profits from \u201cHamilton\u201d in Puerto Rico (eventually totaling $15 million) would go to the island\u2019s arts organizations. Nonetheless, as the opening date approached, employee unions at the university told Lin-Manuel that they would strike if the production went ahead. Workers were facing the loss of tuition benefits for their children. As a union show, \u201cHamilton\u201d couldn\u2019t cross a picket line. Instead of performing in the university theater it had rebuilt, \u201cHamilton\" moved to the governor\u2019s theater, Centro de Bellas Artes.AdvertisementSKIP ADVERTISEMENTRather than quelling the controversy, however, the change of venue fueled it. Now \u201cHamilton\u201d was officially associated with a pro-statehood governor whose administration had drawn ire for suppressing Puerto Rican cultural celebrations in the school curriculum. In a post the activist Ama\u0301rilis Paga\u0301n Jime\u0301nez asked why San Juan should support a show that chronicled \u201cla historia del mismo maldito pai\u0301s que nos tiene bajo un indigno estado colonial.\u201d (\u201cThe history of the same damn country that has us under an unworthy colonial state.\u201d) The irony wasn\u2019t lost on Lin-Manuel. \u201cBoy, is \u2018Hamilton\u2019 a bad fit for raising money for Puerto Rico,\u201d he says. \u201cIt\u2019s singing about the financial system that traps Puerto Rico in debt.\u201dThat night before the show opened, Lin-Manuel wasn\u2019t sure if there would be protests. Nor was he sure he\u2019d remember all his lines. He hadn\u2019t performed the role for two and a half years. He\u2019d accidentally flooded his dressing room by rinsing off without closing the shower door. \u201cEverything about it sucked,\u201d he says.When the performance began, Lin-Manuel experienced a different sensation. He made his entrance, singing, \u201cMy name is Alexander Hamilton\u201d as he strode downstage. There was a roar. Two thousand people rose in a standing ovation. \u201cIt was the first time I felt a cheer,\u201d he recalled later that night. \u201cI felt my hair move.\u201dAfter the show, however, Lin-Manuel faced a press conference that seemed more like the grilling of a politician. Did he support the austerity board? Why had he moved the show? What entitled him, a New Yorker, to speak on behalf of the island?\u201cPolitics are so anathema to me,\u201d he says, looking back. \u201cI\u2019ve evolved in finding my lane. I\u2019m not here to be mayor; I just want to bring my art here.\u201dAdvertisementSKIP ADVERTISEMENTThe following year, as the discourse around \u201cHamilton\u201d crescendoed with its release on Disney+, Lin-Manuel felt isolated. Social media, which had once provided an adoring audience in his pocket, now seemed increasingly like a space of mockery and attack. (\u201cWhy Gen Z Turned on Lin-Manuel Miranda\u201d read a headline that summer in Rolling Stone, which four years earlier had featured him on its cover.) \u201cIf you looked at Twitter, every trending topic was \u201cHamilton,\u201d for good and bad,\u201d Lin-Manuel recalls. \u201cI was at home with nothing to do but rage-read.\u201dImageMiranda with Stephen Sondheim, who was a longtime mentor.Credit...Mary Pat WalshFeeling deluged by the online world, he went back to the therapist he\u2019d seen after a college breakup. \u201cI was giving myself a lot of agita,\u201d he says. \u201cThe energy I needed for my family and friends was being sucked out. It was the beginning of the end of my relationship with Twitter.\u201dHe reached out to a longtime mentor to find out what to do when the criticism grew too loud. \u201cI don\u2019t know how to drown out the negative chatter anymore,\u201d he wrote in an email. \u201cNot well enough to get back to my piano, anyway. I know that scrutiny comes with the success of the thing, but god, the scrutiny. Sorry for launching right in, but there\u2019s very few people I can talk to about this. I\u2019m struggling with it. Just the weight of all of it.\u201dStephen Sondheim replied right away. He offered love and sympathy \u2014 \u201cand tea, if you want it.\u201d His prote\u0301ge\u0301\u2019s predicament seemed totally understandable. \u201cI don\u2019t know why this hasn\u2019t paralyzed you already,\u201d he emailed back. \u201cI\u2019m sure it\u2019s already occurred to you, but the simplest way is the best. Isolate yourself from everything but family and work.\u201d Sondheim had suffered the deluge, too, and knew that chatter around the work \u2014 both admiring and critical \u2014 would never let up. \u201cThe only way to deal with it is to stick with your collaborators and write something.\u201cPreferably,\u201d he advised, \u201ca musical.\u201dA version of this article appears in print on Sept. 7, 2025, Section AR, Page 4 of the New York edition with the headline: Fortitude in the Eye of the Storm. Order Reprints | Today\u2019s Paper | SubscribeSee more on: Lin-Manuel Miranda, Stephen SondheimShare full articleRelated ContentAdvertisementSKIP ADVERTISEMENT",
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Original Content
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    <title>How Lin-Manuel Miranda Weathered the Storm - The New York Times</title>
    <meta data-rh="true" name="robots" content="noarchive, max-image-preview:large"><meta data-rh="true" name="description" content="In this excerpt from a forthcoming biography, the playwright faces a swell of criticism over “Hamilton” and his efforts to help his beloved Puerto Rico."><meta data-rh="true" property="twitter:url" content="https://www.nytimes.com/2025/09/01/theater/lin-manuel-miranda-biography-excerpt.html"><meta data-rh="true" property="twitter:title" content="How Lin-Manuel Miranda Weathered the Storm"><meta data-rh="true" property="twitter:description" content="In this excerpt from a forthcoming biography, the playwright faces a swell of criticism ov...
Parsed Content
Credit...Erika P. Rodriguez for The New York TimesBook ExcerptHow Lin-Manuel Miranda Weathered the StormIn this excerpt from a forthcoming biography, the playwright faces a swell of criticism over “Hamilton” and his efforts to help his beloved Puerto Rico.Credit...Erika P. Rodriguez for The New York TimesSupported bySKIP ADVERTISEMENTListen to this article · 9:32 min Learn moreShare full articleBy Daniel Pollack-PelznerDaniel Pollack-Pelzner is a cultural historian who teaches English and theater at Portland State University.Sept. 1, 2025As “Hamilton” celebrates 10 years on Broadway, the filmed version of the musical will be released in movie theaters nationwide and in Puerto Rico beginning Sept. 5. “Lin-Manuel Miranda: The Education of an Artist,” a forthcoming biography by Daniel Pollack-Pelzner, tells the story of the show’s creator. This excerpt from the book shows how Miranda weathered pandemic-era critiques of his revisionist take on our founding fathers after the film version wa...

Processing Status Details

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AI Extraction Status
Completed Started: Apr 24, 2026 3:58 AM Completed: Apr 24, 2026 3:58 AM

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