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A movie critic analyzes the immersive "Wizard of Oz" experience at Las Vegas' Sphere, exploring its technological advancements and impact on cinematic storytelling. The review presents multiple perspectives, questioning whether it represents the future or demise of traditional cinema.
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{ "tone": "analytical", "perspective": "critical", "audience": "general", "credibility_indicators": [ "expert_opinion", "detailed_analysis" ] }
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<html lang="en" class="story nytapp-vi-article nytapp-vi-story story nytapp-vi-article " data-nyt-compute-assignment="fallback" xmlns:og="http://opengraphprotocol.org/schema/" data-rh="lang,class"><head> <meta charset="utf-8"> <title>Is โThe Wizard of Ozโ at Sphere the Future of Cinema? Or the End of It? - The New York Times</title> <meta data-rh="true" name="robots" content="noarchive, max-image-preview:large"><meta data-rh="true" name="description" content="Our critic went to Las Vegas to see the immersive presentation of the classic 1939 film. What she saw defied easy categorization."><meta data-rh="true" property="twitter:url" content="https://www.nytimes.com/2025/09/01/movies/wizard-of-oz-sphere-review.html"><meta data-rh="true" property="twitter:title" content="Is โThe Wizard of Ozโ at Sphere the Future of Cinema? Or the End of It?"><meta data-rh="true" property="twitter:description" content="Our critic went to Las Vegas to see the immersive presentation of...
Is โThe Wizard of Ozโ at Sphere the Future of Cinema? Or the End of It? By Alissa Wilkinson Sept. 1, 2025 When I am asked to explain what critics actually do, the best answer I have is this: we say what we saw. What I mean is we describe what we experienced โ what the movie, or painting, or song, or whatever became when filtered through our senses. In doing so, we invite you to come along for the ride, to decide for yourself what you see. In my two decades writing criticism, Iโve rarely run across something that refuses to let me see it just one way, but one such resistor is โThe Wizard of Ozโ at Sphere in Las Vegas. Perhaps youโve heard about it: the beloved 1939 film starring Judy Garland, widely considered one of the greatest Hollywood classics, has been stretched and morphed and adapted to fit the enormous dome-shaped venue. Being in Sphere feels like perching inside a massive bubble, only itโs lined with an IMAX screen thatโs pulled over your head, and a bit behind and down t...
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