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https://www.nytimes.com/2025/09/01/movies/wizard-of-oz-sphere-review.html?campaign_id=9&emc=edit_nn_20250902&instance_id=161721&nl=the-morning&regi_id=122976029&segment_id=205087&user_id=b25c5730c89e0c73f75709d8f1254337

A movie critic analyzes the immersive "Wizard of Oz" experience at Las Vegas' Sphere, exploring its technological advancements and impact on cinematic storytelling. The review presents multiple perspectives, questioning whether it represents the future or demise of traditional cinema.

Film Review
Cinema Technology
Immersive Entertainment
Artificial Intelligence
Movie Adaptation
Las Vegas

AI Extracted Information

Automatically extracted metadata and content analysis.

AI Headline
Is โ€˜The Wizard of Ozโ€™ at Sphere the Future of Cinema? Or the End of It?
Simplified Title
Critic Reviews Wizard of Oz Sphere Experience
AI Excerpt
A movie critic analyzes the immersive "Wizard of Oz" experience at Las Vegas' Sphere, exploring its technological advancements and impact on cinematic storytelling. The review presents multiple perspectives, questioning whether it represents the future or demise of traditional cinema.
Subject Tags
Film Review Cinema Technology Immersive Entertainment Artificial Intelligence Movie Adaptation Las Vegas
Context Type
Review
AI Confidence Score
1.000
Context Details
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}
Tone
analytical
Perspective
critical
Audience
general

Source Information

Complete details about this source submission.

Domain
nytimes.com
Site Name
The New York Times
Section
Movies
Publisher
The New York Times Company
Author
Alissa Wilkinson
Published Date
September 1, 2025 at 12:00 AM
Overall Status
Pending
Submitted By
Donato V. Pompo
Submission Date
September 2, 2025 at 2:49 PM
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Submitted By User ID
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September 2, 2025 at 2:49 PM
Updated At
September 2, 2025 at 6:46 PM
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Original Content
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Parsed Content
Is โ€˜The Wizard of Ozโ€™ at Sphere the Future of Cinema? Or the End of It?

By Alissa Wilkinson

Sept. 1, 2025

When I am asked to explain what critics actually do, the best answer I have is this: we say what we saw.

What I mean is we describe what we experienced โ€” what the movie, or painting, or song, or whatever became when filtered through our senses. In doing so, we invite you to come along for the ride, to decide for yourself what you see.

In my two decades writing criticism, Iโ€™ve rarely run across something that refuses to let me see it just one way, but one such resistor is โ€œThe Wizard of Ozโ€ at Sphere in Las Vegas. Perhaps youโ€™ve heard about it: the beloved 1939 film starring Judy Garland, widely considered one of the greatest Hollywood classics, has been stretched and morphed and adapted to fit the enormous dome-shaped venue. Being in Sphere feels like perching inside a massive bubble, only itโ€™s lined with an IMAX screen thatโ€™s pulled over your head, and a bit behind and down t...

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