Source Details

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                "text": "When George Tames, a staff photographer for The New York Times, spotted President John F. Kennedy leaning on a table, head bowed, less than a month into his presidency, he knew what to do.",
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                "text": "He had observed Kennedy stand this way many times before, tilting forward on his palms to relieve his back pain.",
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                "text": "One ran as part of The Times magazine feature \u201cA Day With John F. Kennedy\u201d; it became Tames\u2019s most famous photo.",
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                "text": "Contact sheets \u2014 a positive print of a roll of negatives \u2014 evolved alongside 35-millimeter film as a convenient way to review small negatives: one roll of 35-millimeter film \u2014 or 12 frames of 120 film \u2014 fits neatly onto an 8 by 10 sheet of paper.",
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                "text": "The Times\u2019s photo archive is stuffed with contact sheets containing circles, ticks or crosses from grease pencils, tangible evidence of the editing process.",
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                "text": "The use of contact sheets as an editing tool lived and died in the 20th century; in the 21st century the rise of digital photography has made contact sheets a darkroom relic.",
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                "text": "Few photographers still use them as a tool, but their analog allure has generated a second life.",
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                "text": "At the Museum of Modern Art, you can see a contact sheet from Hans Namuth.",
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                "text": "Muybridge\u2019s slices of action have a visual echo in this Times contact sheet from 1973 of a gymnastics event at Madison Square Garden.",
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                "text": "Contact sheets at Magnum Photos, the pre-eminent postwar photo collective, are so important that up until the year 2000, photographers seeking to join the agency had to submit their contact sheets.",
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                "text": "One morning in late November 1966, Neal Boenzi, a staff photographer at The Times, was on assignment at the Empire State Building, to capture the pollution hanging over the city.",
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                "text": "It won a New York Press Photographers Association Award in 1967 and, much later, it was the cover of Vampire Weekend\u2019s 2013 album, \u201cModern Vampires of the City.\u201d",
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                "text": "A contact sheet from the Woodstock music festival in 1969, shot by the Times photographer Larry Morris also shows a shift in focus.",
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                "text": "Elliott Erwitt, a Magnum photographer, said that contact sheets should be kept \u201cas private as conversations with a psychiatrist or sessions with one\u2019s own father confessor\u201d (even though he still shared some of his).",
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                "text": "Look at this contact sheet of Barbra Streisand in her theater dressing room, after her debut in \u201cFunny Girl,\u201d from March 27, 1964.",
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                "text": "Anika Burgess, a Times freelance photo editor and writer, has spent hundreds of hours researching images in The Times\u2019s archives.",
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