Claim Details

View detailed information about this claim and its related sources.

Back to Claims

Claim Information

Complete details about this extracted claim.

Claim Text
The painting "Noli Me Tangere" (c. 1581) by Lavinia Fontana depicts the encounter where Mary Magdalene mistakes the resurrected Christ for a gardener.
Simplified Text
Lavinia Fontana's painting "Noli Me Tangere" (c. 1581) shows Mary Magdalene mistaking the resurrected Christ for a gardener.
Confidence Score
1.000
Claim Maker
The author
Context Type
News Article
Context Details
{
    "date": "c. 1581",
    "artist": "Lavinia Fontana",
    "artwork": "Noli Me Tangere"
}
Subject Tags
Art History Painting
UUID
2ce1a318-8b8f-4a55-a08a-05b45586a0d5
Vector Index
✗ No vector
Created
September 30, 2026 at 9:05 PM (1 week ago)
Last Updated
September 30, 2026 at 9:05 PM (1 week ago)

Original Sources for this Claim (1)

All source submissions that originally contained this claim.

Screenshot of https://nytimes.com/2026/09/22/arts/design/mary-magdalene-stadel-museum-germany.html
Was Mary Magdalene a Sinner or a Saint? Artists Weigh In
Completed Review
15 claims 🔥
1 week ago
https://nytimes.com/2026/09/22/arts/design/mary-magdalene-stadel-museum-germany.html

A new exhibition at the Städel Museum in Frankfurt, "Mary Magdalene: Sin. Pray. Love.," traces her evolving image through art over centuries. It explores how her depiction shifted from a devoted follower to a penitent sinner, influenced by historical interpretations and artistic freedom.

Art Exhibition Mary Magdalene Religious Art Art History Städel Museum Cultural Interpretation Gender Roles

Similar Claims (5)

Other claims identified as semantically similar to this one.